Clara Oswald

Clara Oswald Clara Oswald' is a fictional character portrayed by Jenna Coleman in the long-running British science fiction television series Doctor Who''. First appearing in the show's seventh series, Clara is introduced as a companion of the eleventh and twelfth incarnations of the alien time traveller known as the Doctor (portrayed by Matt Smith and Peter Capaldi).'''

'''Clara is presented to the audience during the first half of the seventh series as three distinct though similarly named people living in different eras of time. The first two incarnations each die during the episode in which they appear. The third incarnation becomes the Doctor's full-time companion, travelling with him for the remainder of the series as he tries to uncover the mystery of her multiple lives.'''

Television
'''Oswin Oswald is introduced in the first episode of the seventh series, "Asylum of the Daleks". She is the sole survivor of the Starship Alaska, which crashed on the Asylum, a prison planet for insane Daleks. Oswin then learns from the Eleventh Doctor (Matt Smith) that she has been converted from human into a Dalek, and has coped by retreating into a fantasy of her own survival. She assists the Doctor and his travelling companions in escaping the planet unharmed, but at the cost of her own life.[1] Later in the series, the character is reintroduced as Clara in the 2012 Christmas special "The Snowmen". Clara is a Victorian barmaid and a governess who is invited to become the Doctor's newest companion after he saves her from an attack by snowmen brought to life by the evil Great Intelligence. After being shown the TARDIS, the Doctor's time and space machine, and given a key to the TARDIS, Clara is attacked from behind and falls from a precipitous height. At the end of the episode, her tombstone reveals her full name to be Clara Oswin Oswald. The Doctor realises she is the same woman as Oswin from the Dalek Asylum, and intrigued by a woman who has lived and died twice in different periods of history, he begins searching across time for another Clara.[2] In "The Bells of Saint John", a 21st-century Clara meets the Doctor in contemporary London, and he takes her on as a companion with a view to solving the mystery of the "impossible girl".[3] The Doctor's repeated attempts at investigating Clara's origins over the course of "The Rings of Akhaten", "Hide" and "Journey to the Centre of the TARDIS" consistently turn compelling evidence that she is just a normal young human woman.[4] [5] [6] In the latter episode, in an averted timeline, the Doctor confronts Clara about the two previous versions of her he had met, but she does not know what he is talking about.[4] The mystery surrounding Clara is finally resolved in "The Name of the Doctor" when she sacrifices her existence in time to undo the harm the Great Intelligence has done to the Doctor's timestream. As a result, incarnations of herself are scattered throughout the Doctor's history, appearing to every known face of the Doctor and saving his life in numerous ways—for the most part unnoticed—and even ensuring that the First Doctor (William Hartnell) picks the "right" TARDIS on his home planet, prior to the events of the show's first episode. Lost in the Doctor's timestream, she is eventually rescued and brought back into existence by the Eleventh Doctor.[7] In the show's 50th anniversary special, Clara is shown to have become a teacher at Coal Hill School. While on an adventure with the Doctor, she meets the Tenth Doctor (David Tennant) and the War Doctor (John Hurt) in person, and manages to convince the Doctor to change his history and save his home planet from destruction in the Time War of his past, instead sealing it in a pocket universe, where it remains lost.[8] '''

'''In "The Time of the Doctor," the Time Lords wish to return to the universe through a crack in time, but if the Doctor confirms his identity as a precursor to releasing them, the Time War will begin anew. He sends Clara home to her family at Christmas twice, but she returns in the TARDIS, after intervals of hundreds of years. With the Doctor facing certain death at the end of his regeneration cycle, she pleads with the Time Lords through the crack to save the Doctor; he is granted a new regeneration cycle and the crack closes. She witnesses the Doctor regenerate into the Twelfth Doctor (Peter Capaldi) before her eyes, who worriedly asks if she knows how to pilot the TARDIS.'''

Other media
'''Clara (Sophie Downham) appears in a short prequel to "The Bells of Saint John" as a child who talks to the Doctor at a playground. The Doctor does not realise her identity, which is revealed to the viewer.[9] Coleman later played Clara in "He Said, She Said", the online prequel to "The Name of the Doctor".[10] Clara also features alongside the Eleventh Doctor in the New Series Adventures novel Shroud of Sorrow, published April 2013.[11] [12] She appeared in IDW Publishing's comic story Deadwood.[13] Beginning with Issue 462 (June 2013), Clara appears regularly in the Doctor Who Magazine comic strips.[14] '''

Casting and development
'On 21 March 2012, it was announced that Jenna-Louise Coleman would replace Karen Gillan and Arthur Darvill as the next companion.[15] She auditioned for the role in secrecy, pretending it was for something called Men on Waves, an anagram for "Woman Seven".<sup class="reference" id="cite_ref-16">[16] Executive producer and lead writer Steven Moffat chose her for the role because she worked the best alongside Smith and could talk faster than he did.<sup class="reference" id="cite_ref-17">[17] Coleman had never seen Doctor Who'' before her audition, and watched "The Eleventh Hour" and "completely fell in love with the show".<sup class="reference" id="cite_ref-18">[18] However, she only watched the first five episodes of the seventh series – the final five featuring Gillan and Darvill – because she did not want to learn more about their relationship to the Doctor, as she wanted her acting alongside Smith to be "spontaneous".<sup class="reference" id="cite_ref-red_eye_19-0">[19] Moffat stated that her character is different from previous companions,<sup class="reference" id="cite_ref-different_20-0">[20] though he attempted to keep the details of her character a secret until she debuted in the Christmas special.<sup class="reference" id="cite_ref-BAFTA_21-0">[21] In "Asylum of the Daleks", Coleman appears as the character Oswin Oswald, a secret which was kept from the public before transmission.<sup class="reference" id="cite_ref-22">[22] Coleman was originally given the role of a Victorian governess named Jasmine, and then for the second audition she was given both the characters of Oswin and Clara. She originally thought that the producers were looking for the right character, but later realised it was part of Moffat's "soft mystery" plan.<sup class="reference" id="cite_ref-Coleman_advent_23-0">[23] <sup class="reference" id="cite_ref-EW_interview_24-0">[24] Neil Gaiman (writer of "Nightmare in Silver") revealed that the character was originally intended to stay as a Victorian governess.<sup class="reference" id="cite_ref-25">[25] Coleman stated that Moffat came up with the mystery during the audition process.<sup class="reference" id="cite_ref-red_eye_19-1">[19] Coleman played each version of the character as individuals with "trust that there would be a payoff" to her mystery.<sup class="reference" id="cite_ref-26">[26] Moffat told Neil Cross, who wrote "Hide", the first episode Coleman filmed, that Clara was "a normal girl".<sup class="reference" id="cite_ref-Cross_Akhaten_27-0">[27] '''

'Moffat felt that the introduction of a new companion made "the show feel different" and brought the story to "a new beginning" with a different person meeting the Doctor.<sup class="reference" id="cite_ref-different_20-1">[20] Executive producer Caroline Skinner remarked that her introduction allowed the series return to a more "classic Doctor Who'' format".<sup class="reference" id="cite_ref-io9_Skinner_28-0">[28] Smith said that Clara was different from her predecessor Amy Pond (Gillan), which allowed the audience to see a different side of the Doctor.<sup class="reference" id="cite_ref-bbc_interviews_29-0">[29] Moffat said that Coleman brings "a speed and wit and an unimpressed quality that makes the Doctor dance a bit harder"<sup class="reference" id="cite_ref-collider_7b_30-0">[30] Coleman stated that her character "holds her own" and was competitive with the Doctor, providing "a nice double act".<sup class="reference" id="cite_ref-CNN_Coleman_31-0">[31] With her place in the series' narrative, Clara was intended to reawaken the Doctor's "curiosity in the universe and gives him his mojo back".<sup class="reference" id="cite_ref-reignite_32-0">[32] Concerning Clara's relationship to the Doctor, Coleman said, "It's been interesting how it's changed Matt's Doctor. There is a natural bounce between them, and a flirtation, and attraction. But, again, they've always got this friction because they're a bit magnetic and drawn to each other, but she can't quite figure him out. He's got loads of secrets and he's always looking at her, trying to figure her out."<sup class="reference" id="cite_ref-CNN_Coleman_31-1">[31] The dynamic between Katharine Hepburn and Spencer Tracy was an influence on Coleman and Smith.<sup class="reference" id="cite_ref-dance_33-0">[33] In addition, Coleman revealed that Clara and the TARDIS have a "relationship", as there is a running joke about the TARDIS not liking Clara or making fun of her.<sup class="reference" id="cite_ref-TARDIS_34-0">[34] '''

Reception
 Jenna-Louise Coleman's performance as Clara has been received positively.'Nick Setchfield of SFX praised the effective surprise debut of Coleman as Oswin in "Asylum of the Daleks". He wrote, "Coleman brings sauce and sparkiness, and while she initially seems a familiar Moffat archetype, all snarky cracks about the Doctor's chin and throwaway lines about sexual experimentation... there's a deeper vulnerability there too, which makes her eventual fate in this episode genuinely heart-skewering."<sup class="reference" id="cite_ref-SFX_asylum_35-0">[35] Michael Hogan, writing for The Daily Telegraph, also found her debut promising and described her as "enchanting in an elfin way – rather like a brunette, curvier, less annoying Fearne Cotton".<sup class="reference" id="cite_ref-telegraph2_36-0">[36] '''

'''The character's reintroduction as Clara in "The Snowmen" received generally positive reviews from critics. The Guardian's Dan Martin wrote, "The masterstroke behind Jenna-Louise Coleman's surprise introduction is that it made us want to see more of her before Karen Gillan had even gone. The cheeky, self-assured Clara won a place in our hearts from the off."<sup class="reference" id="cite_ref-37">[37] Setchfield called her "less of a motormouthed quip-merchant than [Oswin], but Coleman makes her equally winning – plucky, smart and riffing on a very promising chemistry with Matt Smith".<sup class="reference" id="cite_ref-SFX_snowmen_38-0">[38] IGN's Matt Risley felt that the Clara "trumped her already-bombastic debut with a character both fully formed and utterly unpredictable". He praised the mystery surrounding her and her independence, commenting that she seemed to be the "antithesis" of Amy Pond as she was "a girl who will wait for no-one".<sup class="reference" id="cite_ref-IGN_snowmen_39-0">[39] Radio Times reviewer Patrick Mulkern admitted that he had "found Oswin's perkiness a tad wearing", but he was "completely won over" by Coleman's Clara in "The Snowmen".<sup class="reference" id="cite_ref-RT_snowmen_40-0">[40] Neela Debanth of The Independent felt that Clara's demise in "The Snowmen" made the episode "a bit of a tease" and set up the question of what the travelling Clara would be like. Unlike Mulkern, she favoured the Oswin version, describing her as "much more fun and flirtatious".<sup class="reference" id="cite_ref-41">[41] '''

Following "The Bells of Saint John", Digital Spy's Morgan Jeffery said that the new Clara was "more grounded and so far easier for the viewer to latch on to" than her two predecessors, both of which could have been harder to sustain as companions.<sup class="reference" id="cite_ref-42">[42] Mulkern said that he did not bother with the character's mystery and found it pleasing that Coleman played her as "a straightforward modern companion with no baggage".<sup class="reference" id="cite_ref-43">[43] Setchfield described Clara as "equally sparky and winning but altogether younger and possibly just a tad more vulnerable than her previous incarnations" with a "helplessly watchable chemistry" with Smith.<sup class="reference" id="cite_ref-44">[44] Debnath described her as a "softer version" of Oswin, still hoping that "the character will be taken up a notch, challenging the Doctor more and bouncing off him like Oswin did.<sup class="reference" id="cite_ref-45">[45] However, the Daily Mirrors Jon Cooper expressed concern that Clara, despite Coleman's success, was too similar to Amy.<sup class="reference" id="cite_ref-46">[46] Mike Higgins of The Independent felt that Coleman was "an improvement" upon Gillan, but wrote that "the pairing of an intellectually bright but emotionally dim male with a techno-illiterate but wised up female is a tired old trope of much drama and comedy".<sup class="reference" id="cite_ref-47">[47] '

'''The character's development has also been met with positive reviews. Martin praised how her backstory was fleshed out in "The Rings of Akhaten", as otherwise the character "was danger of becoming simply a story arc in the shape of a girl".<sup class="reference" id="cite_ref-48">[48] SFX's Richard Edwards wrote that she had the potential to be "a truly great companion", and that it was "refreshing to see a companion who isn't in total awe of the Doctor... and she's not afraid to take the lead when she needs to".<sup class="reference" id="cite_ref-SFX_49-0">[49] Debnath praised her "caring nature" and "lovely maternal side",<sup class="reference" id="cite_ref-50">[50] but felt that she could be "annoyingly naïve".<sup class="reference" id="cite_ref-51">[51] Dave Golder of SFX stated that Clara was "to an extent, a bit of a cartoon character" and that Moffat was better at writing her in "The Name of the Doctor" than some of the preceding writers. He also commented that she "still feels too new a companion (and an underdeveloped one) to really care about her sacrifice".<sup class="reference" id="cite_ref-52">[52] '''